'Between Worlds' explores the migrant experience in Australia. Through four distinct bodies of work, the artists examine language, expectations, overlooked stories and family archives to illuminate the fears and struggles that come with forming a new home.
Deconstructing themes of belonging, identity and bias through photography, painting, collage and mixed media, 'Between Worlds' offers a window into the complex myriad of experiences held by migrants in the Boroondara community and beyond.
This exhibition is proudly hosted by Boroondara Arts to coincide with and celebrate Harmony Week.
Featuring: Jorge Rodrigo Ceballos, Yask Desai, Heather Felix, Andres Murcia, Susie Raz and Simone Schroeder.
Many of the artworks in this exhibition are for sale. Visit our shop to purchase an artwork.
Yask Desai
Yask Desai’s series ‘Telia’ examines the experiences of the men who migrated from undivided India and worked as hawkers or travelling salesmen within rural Australia during the late 19th and early to mid-20th centuries. Their purpose for migrating was to earn money from the extended families they left behind. Telia was the name given to Australia by some family members who remained in India.
Employing found documents to establish the historical background impacting these men, Desai’s work extracts their personal narratives: the hardships they faced and enduring generational legacies.
Far from being a forgotten or bygone chapter in Australian history, the lives of the men who worked as hawkers enable an examination and reinterpretation of the ongoing colonial project in Australia. ‘Telia’ illustrates how the experiences of past generations directly affect and influence the lives and stories of those who follow.
![A petition from the Avon Shire secretary in 1893 requesting that people of colour no longer be issued with hawkers permits](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/1.Yask%20Desai_Avon%20Shire%20Letter%20-%201200%20x%20675%20px.jpg?h=c74750f6&itok=QdN6C28K)
![a certificate of exemption from a dictation test for Fotth Deen, issued in 1929](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/2.Yask%20Desai_Certificate%20of%20Exemption-%201200%20x%20675%20px.jpg?h=c74750f6&itok=WU7fej8w)
In the decades after men began migrating to Australia from India, the Immigration Restriction Act 1901 was introduced. Also known as the White Australia policy, it significantly impacted non-European migration between 1901 and 1958. A dictation text of 50 words was one of the primary ways this Act was implemented. Presiding customs officers could choose to give the test in any European language. Anyone who failed could be immediately deported under the Act. Non-Europeans who became Australian residents prior to and during this Act could obtain a Certificate of Exemption of Dictation Test. This certificate meant men who travelled to visit family in India were not required to sit a dictation test upon their return to Australia.
![Hand drawn family tree authored by Mussarat Nisha Deen showing her lineage to Fotth Deen](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/3.Yask%20Desai_handdrawn%20family%20tree-%201200%20x%20675%20px.jpg?h=c74750f6&itok=4toj5k5c)
![A mostly bare misty landscape with a single tree](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/4.Yask%20Desai_Outskirts%20of%20Jalandhar-%201200%20x%20675%20px.jpg?h=c74750f6&itok=GQtfkgAY)
Price on application
![A sign at the Beechworth cemetery that says 'strangers'](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/5.Yask%20Desai_Beachworth%20Cemetery-%201200%20x%20675%20px.jpg?h=c74750f6&itok=NfCtAjdj)
Price on application
When Beechworth Cemetery was established in 1856, it was laid out in sections split and delegated to prominent Christian churches in the area. Non-Christian residents or those whose religion was unknown were buried in the ‘strangers’ section. There lie the headstones of Dalale Singh Gill and Sunda Singh, who worked as hawkers in the Beechworth area. They were first buried and later exhumed and cremated as per their Hindu tradition.
![Headstone of Dalale Singh Gill](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/6.Yask%20Desai_Headstone%20of%20Dalale%20Singh%20Gill-%201200%20x%20675%20px.jpg?h=c74750f6&itok=8mE_qsY_)
Price: $400
![Headstone of Allie Mohomed](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/7.Yask%20Desai_Headstone%20of%20Allie%20Mohomed-%201200%20x%20675%20px.jpg?h=c74750f6&itok=qyeosLXR)
Price: $400
![a handwritten letter by Robert Scott about his memories of Indian hawkers in beechworth](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/8.Yask%20Desai_Letter%20by%20Robert%20Scott-%201200%20x%20675%20px.jpg?h=c74750f6&itok=Yn4BeCh1)
![an older Indian man with a grey beard looking at the camera](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/9.Yask%20Desai_Sucha%20Signgh-%201200%20x%20675%20px.jpg?h=c74750f6&itok=HUeYTBAR)
Price on application
Sucha Singh Sihota is the grandson of Hukam Singh, who worked as a hawker in Leitchville, New South Wales. Hukam Singh periodically repatriated money to India earnt from hawking in Australia. Using this money, Singh’s family built a house in his native village of Barapind in Punjab. Hukam Singh’s great-grandson and great-granddaughter in law still live in the house. A photograph of Hukam Singh still hangs in Sucha Singh Sihota’s house in nearby Jalandhar.
![3 men in an empty church, Piles of disassembled furniture in the background](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/10.Yask%20Desai_Rotherham%20UK-%201200%20x%20675%20px.jpg?h=c74750f6&itok=ukffXqHi)
Price on application
All three men had forefathers who worked in Australia as hawkers. In 2019, when Desai photographed the men, they were converting a disused church in Rotherham, where they live in the UK, into a mosque. They envisioned it as a place for the broader community to gather, regardless of faith.
![Two women and a man standing in front of a large fallen tree](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/11.Yask%20Desai_Sister%20Glenda%20and%20Jan-%201200%20x%20675%20px.jpg?h=c74750f6&itok=1I37AGWl)
Price on application
Glenda and Jan’s great grandfather Meera Naby Bux came alone to Australia from India as a 15-year-old boy in 1891 and began working as a hawker. Later he married Alice Campbell, a Baraparap and Dja Dja Warrung woman, and they had six children. Meera Naby Bux lived in Barmah in an Aboriginal community upon Yorta Yorta country with his wife and family. He also established the first general store in Barmah in the early 20th century.
![A man kneeling on the carpet in a mosque](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/12.Yask%20Desai_Haroon%20Bux%20Auburn%20Mosque-%201200%20x%20675%20px.jpg?h=c74750f6&itok=_TahQ3d-)
Price on application
Haroon Bux is the great-grandson of Khwaja Muhammad Bux. The Auburn Mosque in Sydney’s west is a significant place for Haroon. His great grandfather arrived in Freemantle from Punjab India around 1880 and began life as a hawker in Australia with only the change in his pocket. Eventually, Khwaja Muhammad Bux became considerably wealthy and, upon returning to what had then become Pakistan, he built a Mosque and named it ‘Australia Mosque’. It still stands in the city of Lahore in Pakistan today.
![Drawing of a horse and cart being led by an indian man while another Indian man sells wares to two girls](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/13.Fariha%20Sultana_Hawkers1-%201200%20x%20675%20px.jpg?h=c74750f6&itok=KQ3gBi0x)
![An Indian hawker stopped for a drink, his belongings and wares stacked beside him](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/14.Fariha%20Sultana_Hawkers2-%201200%20x%20675%20px.jpg?h=c74750f6&itok=SSeui76u)
![An Indian hawker with a walking stick resting in a chair](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/15.Fariha%20Sultana_Hawkers3-%201200%20x%20675%20px.jpg?h=c74750f6&itok=6Nkhvr4k)
![An Indian hawker leading a horse and cart](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/16.Fariha%20Sultana_Hawkers4-%201200%20x%20675%20px.jpg?h=c74750f6&itok=O_3JjVzL)
![A still from a 1981 video of a young boy sitting at a desk](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/17.Yask%20Desai_Selfie%2081-%201200%20x%20675%20px.jpg?h=c74750f6&itok=s0meIeBe)
Susie Raz
‘For the One whose Voice was Silenced’ by Susie Raz tells the story of the persecution of her family in Europe during WWII. It focuses on the fate of both those who could flee and those who were unable to do so, most of whom perished.
Elsa Schwabach is Raz’s great grandmother. A Jewish woman living in Prague in the 1940s, Elsa’s family obtained a Landing Permit that should have enabled her to join those who had already fled to Australia. Tragically, she never received the permit and was murdered in Auschwitz in 1944. Elsa’s story was later told to her son by her niece, Kathe, in a letter which inspired her paintings.
I wish that by giving Elsa a voice through the telling of her story, her dignity is reinstated, and her memory can be laid to rest. Furthermore, Elsa’s story is of ongoing relevance. As wars rage around our planet, this exhibition can contribute to building a community that rejects all forms of discrimination and is guided by compassion and mutual respect.
![black and white painting of a newly married couple getting into a car](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/18.Susie%20Raz_Hans%20and%20Henriette_s%20Wedding-%201200%20x%20675%20px.jpg?h=c74750f6&itok=__goXN7x)
![A woman holding a small baby, both have big smiles on their faces](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/19.Susie%20Raz_Henriette%20and%20Anneliese-%201200%20x%20675%20px.jpg?h=c74750f6&itok=qw85u-g-)
![4 adults with 3 small children pushing prams in a city square](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/20.Susie%20Raz_The%20Belvedere-%201200%20x%20675%20px.jpg?h=c74750f6&itok=z0sQjCHL)
![A man leaning against a car](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/21.Susie%20Raz_Sigmund-%201200%20x%20675%20px.jpg?h=c74750f6&itok=Iiy__vC_)
![A small girl standing and holding the hand of a teddy bear whose feet are on the ground](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/22.Susie%20Raz_Anneliese-%201200%20x%20675%20px.jpg?h=c74750f6&itok=-tSTdl5q)
![Painting of a woman holding a child to her cheek](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/23.Susie%20Raz_Elsa%20and%20Anneliese-%201200%20x%20675%20px.jpg?h=c74750f6&itok=GqXOZM2q)
![A woman looking sad as a are family huddled together with their backs towards us](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/24.Susie%20Raz_Hans%20henriette%20and%20annelise%20depart-%201200%20x%20675%20px.jpg?h=c74750f6&itok=g7xknczT)
![A dark blue and black painting, in the centre are the silhouettes of 3 people carrying suitcases](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/25.Susie%20Raz_Otto%20Kathe%20and%20Elsa-%201200%20x%20675%20px.jpg?h=c74750f6&itok=YnPRtin6)
‘In summer 1941 we had to leave our very beautiful modern dwelling and to move into a single room like most of the Jews. There we lived together till we were called out for the transport in the beginning of February 1942. On the 7th, we went by train all three to Theresienstadt.’
- Kathe’s letter to Hans (John), 24 June 1945
![a woman from the waist down holding a suitcase](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/26.Susie%20Raz_Elsas%20Suitcase-%201200%20x%20675%20px.jpg?h=c74750f6&itok=nZYL4ajc)
‘We were allowed to take some luggage with us, so your mother packed all her wardrobe, she had provided for Australia, because she couldn’t part of it and of no events wanted to be … a burden to you. “I have clothes till my end of life. Hans wouldn’t spend a penny for my clothing,” she always said so proudly.’
- Kathe’s letter to Hans (John), 24 June 1945
![two women looking downcast, the woman on the left has her hand on the shoulder of the other woman](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/27.Susie%20Raz_4th%20transport%20-%201200%20x%20675%20px.jpg?h=c74750f6&itok=xfYonwV0)
‘That I have been one of them who could stay is such a wonder I am not comprehending till today. Your mother went in the 4th transport. She was very brave and we took leave of each other very heartily. But I am not hopeful in her being alive. Till now no news from her. From all the thousands which went, so few returned.’
- Kathe’s letter to Hans (John), 24 June 1945
![A small girl pushing a broom along a step, moving crates fill the yard in front of her](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/28.Susie%20Raz_Ann%20Melbourne-%201200%20x%20675%20px.jpg?h=c74750f6&itok=5VGx_UCr)
![A middle aged man and woman standing in from of a car in a suburban driveway](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/29.Susie%20Raz_Sigmund%20and%20Friederika-%201200%20x%20675%20px.jpg?h=c74750f6&itok=izOSxEX5)
![A man crouched down next to a small girl, both are smiling](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/30.Susie%20Raz_Ann%20and%20John-%201200%20x%20675%20px.jpg?h=c74750f6&itok=JBGw3gxY)
![a woman and a young girl holding hands, smiling and standing in an open field with trees off in the distance](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/31.Susie%20Raz_Ann%20and%20Henriette-%201200%20x%20675%20px.jpg?h=c74750f6&itok=F1WOMy4d)
![a toddler sitting in a rocker shaped like a horse, with an older child crouched behind and rocking the rocker](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/32.Susie%20Raz_Ann%20and%20Frank-%201200%20x%20675%20px.jpg?h=c74750f6&itok=vDFgK4yO)
![A Commonwealth of australia landing permit, allowing a family to enter Australia](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/33.Susie%20Raz_8%20Nov%20hans%20henriette%20landing%20permit-%201200%20x%20675%20px.jpg?h=c74750f6&itok=Lpa9tjll)
On 12 March 1938, Austria was annexed by Nazi Germany. German troops crossed the border into Austria, unopposed by the Austrian military. Hans Schwabach, his wife Henrietta, and daughter Annelise left their home in Vienna and arrived in Melbourne, Australia, on 13 January 1939. Hans changed his name to John Carew and secured landing permits for his wife’s parents, Sigmund and Friederika, and his mother, Elsa. Sigmund and Friederika arrived in Melbourne on 14 April 1940.
![a commonwealth of australia landing permit, granting access to a couple to australia with the guarantee of their son-in-law](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/34.Susie%20Raz_28%20July%20Sig%20and%20Fred%20landing%20permit-%201200%20x%20675%20px.jpg?h=c74750f6&itok=hLYSuvhO)
![a commonwealth of australia landing permit for a woman](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/35.Susie%20Raz_28%20July%20Elsa%20unused%20landing%20permit-%201200%20x%20675%20px.jpg?h=c74750f6&itok=SVbn7BLv)
Elsa, her brother-in-law Otto and niece Kathe were sent to Theresienstadt, a town used by Nazi Germany from 1941 to 1945 as a walled concentration camp and waystation to other death camps. Otto died two years later from illness after successfully convincing German troops several times not to send Elsa away to another camp. Kathe was able to talk Elsa out of being transported again after Otto’s death. Still, in October 1944, Elsa was sent to Auschwitz. Theresienstadt was liberated on 8 May 1945.
![A typed letter from the Australian Red Cross society with a message to John Carew from his mother](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/36.Susie%20Raz_Elsas%20last%20correspondence-%201200%20x%20675%20px.jpg?h=c74750f6&itok=KpaYAVTK)
![a letter handwritten in ink, in small writing that completely fills the page](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/37.Susie%20Raz_24%20June%201945%20Kathes%20Letter-%201200%20x%20675%20px.jpg?h=c74750f6&itok=OMWJh4jb)
Andres Murcia
Andres Murcia’s series ‘Language and Collage’ analyses the linguistic aspects of the English language from his perspective as a migrant Spanish speaker. Growing up in Bogota, Murcia studied a bachelor’s degree in Linguistics and Literature at the National University of Columbia.
Murcia’s collages shift from direct references to language to more abstract imagery. Playing with English and Spanish words and phrases, Murcia identifies incompatible and sometimes humorous translations, highlighting how much language is understood through native familiarity and context. Such peculiarities worsen the ever-present impact of language as a barrier for migrants, causing frustration and isolation.
When my son was born, I could never adjust to calling him “Bubba”, as in Spanish, we refer to “saliva” with that sound. My son is Australian, and he never calls me “dad”. He refers to me as his “papá”. I could never call an Australian woman “my sky.” Still, it is very common in Colombian Spanish to call your wife “mi cielo”. Words are spoken, but in many cases, they must be felt.
![Abstract shapes in blue, whites and browns, with an eye in the centre and the word "bubba" in the top right corner](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/38.Andres%20Murcia_Bubba-%201200%20x%20675%20px.jpg?h=c74750f6&itok=FB9nyu_B)
Price: $150 framed.
![Abstract shapes, the word "honey" in the bottom right corner, a newspaper clipping in the centre overlaid with a magazine cutout of two people](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/39.Andres%20Murcia_Honey-%201200%20x%20675%20px.jpg?h=c74750f6&itok=bHLJ2y_X)
Price: $150 framed.
![an abstract collage of shapes and magazine images with the word "papa" in the bottom left corner](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/40.Andres%20Murcia_Papa-%201200%20x%20675%20px.jpg?h=c74750f6&itok=G3taG7l6)
Price: $150 framed.
![a half moon at the bottom with flowers and a pair of arm and hands sprouting from it. the hands are holding another half moon, on which is a female figure and 2 trees](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/41.Andres%20Murcia_Observer-%201200%20x%20675%20px.jpg?h=c74750f6&itok=NGJXyeOH)
Price: $150 framed.
![a half moon at the base, a naked male figure is reacking for a door, above the door are plants and a set of hands holding hummingbirds](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/42.Andres%20Murcia_Knocking%20Door-%201200%20x%20675%20px.jpg?h=c74750f6&itok=W3yyYUcu)
Price: $150 framed.
![A man carrying suitcases walking away from a half moon, on the half moon there is a house and plants growing, a naked female form with a deer head looms above it all](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/43.Andres%20Murcia_See%20U%20Soon-%201200%20x%20675%20px.jpg?h=c74750f6&itok=9Cj3NHOV)
Price: $150 framed.
Jorge Rodrigo Ceballos, Heather Felix and Simone Schroeder
Through their shared project ‘Conjetura Vermutung/ Cutting on the Bias’, artists Jorge Rodrigo Ceballos, Heather Felix and Simone Schroeder explore the relationships between visual and audio based unconscious bias, lived experience, physical place, and the dichotomy of an enriched social fabric through migration. The works feature individuals from across Melbourne, along with multi-generational long-term Boroondara residents and migrants, to appreciate the richness of their local stories as well as the difficulties they face.
Jorge Rodrigo Ceballos takes visitors on a journey where inherent bias and visual perceptions are identified and challenged through mismatched images and audio files.
The temptation to conclude things about others, be it due to their accents, colour, or clothes, is what motivates my work. Such assumptions are riddled with ignorance and baseless expectations, multiplied by a majority.
The works by Heather Felix uses the fabric as a metaphor to delve into the rich lived experiences of two multi-generational Boroondara resident families.
In each case, the eldest generation migrated to the Boroondara region almost 40 years ago. They started businesses, purchased homes, raised families, educated children, became active community members, and faced challenging and heart-warming times.
Simone Schroeder explores the lives of migrants living in Boroondara., engaging with the connections and relationships between their past and present identities, the places they live, and the symbols they cherish.
Each time we migrate to a new place, we unconsciously let go of small parts of our identities, which leads to empty gaps. To fill these voids, we begin merging and replacing spaces to create a new sense of belonging. Over time our identities may feel distorted, not precisely matching up or fitting entirely with our original sense of self.
![A video still with a collage of women's faces, surrounded by quotes about home and respect](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/44.%20Jorge%20Rodrigo%20Ceballos_Conjectura-%201200%20x%20675%20px.jpg?h=c74750f6&itok=tSVpybEj)
![2 people close together printed repeatedly across a piece of fabric](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/45.%20Heather%20Felix_Fabric%20Flows%20Lifetime-%201200%20x%20675%20px.jpg?h=c74750f6&itok=eRdjhLkF)
Price: $450
![2 women and a small girl sitting together, against a suburban background, overlaid with text that blends into the background](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/46.%20Heather%20Felix_Generational%20Dreaming-%201200%20x%20675%20px.jpg?h=c74750f6&itok=dx0HxBTZ)
Price: $250
![2 women standing close together, overlaid with text such as 'gracious', 'teacher', 'mother', appreciation](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/47.%20Heather%20Felix_Optimal%20outcome-%201200%20x%20675%20px.jpg?h=c74750f6&itok=2O0RkmRD)
Price: $250
![2 women and a small girl sitting together printed repeatedly across the fabric](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/48.%20Heather%20Felix_Fabric%20flows%20one%20thing-%201200%20x%20675%20px.jpg?h=c74750f6&itok=1T7BzuSk)
Price: $450
![on the left, a young child sitting in a photography studio, on the right a tonally reversed and faint version of the same image of the child](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/49.%20Simone%20Schroeder_Token1-%201200%20x%20675%20px.jpg?h=c74750f6&itok=JBwfsgkP)
Price: $200
![a studio portrait of a baby](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/50.%20Simone%20Schroeder_Token2-%201200%20x%20675%20px.jpg?h=c74750f6&itok=zIjXOJOl)
Price: $200
![lotus leaves laid flat and overlapping](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/51.%20Simone%20Schroeder_Heartpiece-%201200%20x%20675%20px.jpg?h=c74750f6&itok=n5DJA_-m)
Price: $510
![a streaky image of a child standing on the grass, a suburban street behind them](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/52.%20Simone%20Schroeder_Half%20shade%201-%201200%20x%20675%20px.jpg?h=c74750f6&itok=yJpEdgHZ)
Price: $380
![A streaky image of a cropped arm, with a letterbox and suburban street in the background](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/53.%20Simone%20Schroeder_Half%20shade%202-%201200%20x%20675%20px.jpg?h=c74750f6&itok=60LlrXIX)
Price: $380
![a streaky close up of a man's face](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/54.%20Simone%20Schroeder_Half%20shade%203-%201200%20x%20675%20px.jpg?h=c74750f6&itok=cMWitAMA)
Price: $380
![bottom half of image is a smiling baby from the mouth down, the top half is of a grate or drain in the street](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/55.%20Simone%20Schroeder_awakening1-%201200%20x%20675%20px.jpg?h=c74750f6&itok=bEBOalwz)
Price: $330
![a bare grassy landscape with grey clouds filling the sky](/sites/default/files/styles/council_photo_gallery_small/public/2022-03/56.%20Simone%20Schroeder_threshold-%201200%20x%20675%20px.jpg?h=c74750f6&itok=YZND-GRr)
Price: $280